Forum Green Screen 

2020

 

Intaglio

Unique on Rives BFK

plate size  4x6 inches & 7x9 inches

Hollow Earth: Core Samples

2019

 

Intaglio

Unique on Rives BFK

Image size: 6x4 inches

Paper size: 11x15 inches

Hollow Earth: Documents

2018

 

Intaglio

Unique on Rives BFK

Image size: 6x8 inches

Paper size: 11x15 inches

Hollow Earth: Bubble Gum Center

2017

 

Intaglio

Unique on Rives BFK

Image size: 6x8 inches

Paper size: 11x15 inches

Hollow Earth: Maps

2016

 

 

Intaglio

Unique on kitikata paper

dimensions variable.

Ice Structures

2016

 

 

Intaglio, collage and relief

 

Unique on Rives BFK

11 x 15 inches.

PRESS: http://today.uconn.edu/2015/12/accidental-architecture-prints-featured-faculty-art-show/

Flame Structures

2015

 

 

 

Intaglio, collage and relief

 

Unique on Rives BFK

11 x 15 inches.

Ruin Grids

2015

 

 

Screen print and relief

 

Unique on Rives BFK

22 x 30 inches.

Copy Cat Forts

2016

 

 

intaglio and relief processes, tissue paper, collage

 

Unique on Rives BFK

30 x 22 inches.

 

Towers

2014

 

 

Screen print

 

Editions of 12

 

Rives BFK

22 x 30 inches

Furniture Stairs

2014

 

 

 

intaglio and collage

 

Unique on Reeves BFK

30 x 22 inches

.

 

Ponzi Structure

2013

 

The title Ponzi Structure is a reference to illusion and failure.  Using familiar symbols of construction, stability and quality (wood, bricks and gold) to create moments of structural and visual continuity.  These structures serve no immediate purpose other than to support connected elements and the imply an illusion of stability.

 

intaglio and relief processes, chine-collé, tissue paper, collage

 

Unique on Arches Cover paper

29x41 inches.

 

Stacks

2010-2013

 

An ongoing project involving the simple practice of stacking objects of similar shape and material. Inspired by practical and monumental stacking techniques of human history: pyramids, log piles.  And piles in contemporary life; furniture or trash on the curb.  The formations of the stacks are ultimately dictated by the qualities of components that are assembled to create the final form.  I am interested in this process as a way of understanding accumulative results and representation of construction.

 

This series is created using Intaglio, screen print, relief and collage 

paper size varies from 22x30 to 29x41 inches.

SymbolMen

2012

 

This series is titled SymbolMen, conceptually this work touches on concepts of language, representation and contradictions oyf patriarchy.

 

Series contains 30 prints (ed. of 10) created using a variety of letterpress processes and antique half-tone cliché photo plates mounted on wood.  

 

Printed on Mohawk Super Fine paper, 8.5x11 inches.

 

Untitled Structures/Spaces

2008-2010

 

A formal investigation of figure/ground relationships examining how space is defined, informed or contradicted by structures and objects. Moments of collaged nostalgia and domesticity blend with traditional and nontraditional printmaking techniques to examine representation and history.

 

screen print, collage, relief and digital process 

 

Digital edition of 10. Printed on archival paper, 11x14 inches.

 

SharkHouse

2009

 

The SharkHouse prints use an unlikely protagonist, a shark, as figure and object to disrupt representations of organization, structure and domesticity.   

 

Unique prints, screen print, relief and collage on kitikata paper, 17x21 inches.

Carrot Mechanic

2010

 

The Carrot Mechanic prints also use an unlikely protagonist, a carrot, as figure and object to disrupt representations of structure and domesticity.   

 

Unique prints, marker, screen print, relief and collage on kitikata paper, 17x21 inches.